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Lately I shifted my focus from producing to mixing and mastering, I learn online from "Mixing with Mike". Michael doesn't mix electronic music and he works with a lot of waves plugins that saturate and compress his stems to create an analog feel and add a lot of warmth and presence.
I use FL Studio, it has a great parametric EQ and a great multiband compressoExpander called "maximus". It also has a distortion plugin called WaveShaper that has a lot of control over the way it saturates the sound. But recently seeing a lot of tutorials on mixing and mastering I see a lot of people looking for specifically emulated saturators like tape/tube etc... I don't really know if I can achieve that sound with my stock distortion plugins and I don't think I developed an ear to recognize the difference, I failed emulating the "analog chain" I see people put on the individual and grouped stems, the waveshaper was too harsh or lacked "warmth". Although it could be my inexperience with using light distortion for mixing.
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- SSL G-Master Buss Compressor: buss compression is completely new to me, I never in my life tried to bundle sounds together and gluing them, this is a new concept for me. Why is this buss compressor an industry standard? Is there a way to emulate the sound with stock FL plugins? It's pretty cheap but do I really need it? Will Saturn 2 or an "all in one" plugin like Ozone do the same job?
- L2 Ultramaximize L3 Multimaximizer: I have no idea which brick wall limiter should I get, the L2 looks super simple while the L3 seems to give more control, I saw a video dissing the fruity limiter and I have no idea if I can maximize and master my sounds with stock plugins. I am open for any other suggestions. Many people recommend the FabFilter Pro-L2 but it costs 169 euros and I don't understand why should I use a limiter besides sausaging the master chain which I can do with a waves plugin for 30 bucks.
- Ozone 9: At first I thought it's an all in one master plugin, also has a lot of features that save time but take away the learning process (automated AI fix-your-song sliders). But it seems so different to me than opening a specific plugin for a specific usage (for example a buss compressor or a maximizer, both have a single job). If I do buy it do I need anything else? Is it just a master chain effect or can I use it to saturate or edit single instruments? Also the Neutron 3 makes me wonder if I should buy it with Ozone. If I'm already switching to this all in one shiny slider work flow I might as well get the tonal balance bundle for 699$ which is half my paycheck... I can get like 10 waves plugins for half the cost, and I feel like I could learn more from using the traditional "1 plugin, 1 purpose" workflow. On the other hand it might have more value if it actually saves me valuable time.