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Picking the right saturator and mastering tools?

Hi reddit how are you guys? (This is a repost from FL_Studio where no one answered my question and also I changed the questions after searching more mixing/mastering tools)
Lately I shifted my focus from producing to mixing and mastering, I learn online from "Mixing with Mike". Michael doesn't mix electronic music and he works with a lot of waves plugins that saturate and compress his stems to create an analog feel and add a lot of warmth and presence.
I use FL Studio, it has a great parametric EQ and a great multiband compressoExpander called "maximus". It also has a distortion plugin called WaveShaper that has a lot of control over the way it saturates the sound. But recently seeing a lot of tutorials on mixing and mastering I see a lot of people looking for specifically emulated saturators like tape/tube etc... I don't really know if I can achieve that sound with my stock distortion plugins and I don't think I developed an ear to recognize the difference, I failed emulating the "analog chain" I see people put on the individual and grouped stems, the waveshaper was too harsh or lacked "warmth". Although it could be my inexperience with using light distortion for mixing.
So I have been searching for the tools that would compress and saturate my sounds but I am completely lost now, not sure what tools do I need, how much control do I want, what I can and can't emulate using my stock plugins and what is essential and what is over priced snake oil.
I have been looking at these plugins:
  1. Saturn 2: it seems to have a lot of saturation presets so it might be the all in one tool for saturation (Tape, tube etc.), but it's super pricy... Does it really saturate better than a tape simulator by waves (for like 30 bucks)?
  2. V-comp: I understand that the fruity limiter is super clean and that the V-comp by waves could give me a warmer sound, I tried using MOLOT which is a free plugin but I could not get it to actually saturate my sounds in a nice sounding way... Are these vintage compressors snake oil? Are they relevant for electronic music? How is it saturating differently than a basic compressor with a separate distortion plugin on top?
  3. SSL G-Master Buss Compressor: buss compression is completely new to me, I never in my life tried to bundle sounds together and gluing them, this is a new concept for me. Why is this buss compressor an industry standard? Is there a way to emulate the sound with stock FL plugins? It's pretty cheap but do I really need it? Will Saturn 2 or an "all in one" plugin like Ozone do the same job?
  4. L2 Ultramaximize L3 Multimaximizer: I have no idea which brick wall limiter should I get, the L2 looks super simple while the L3 seems to give more control, I saw a video dissing the fruity limiter and I have no idea if I can maximize and master my sounds with stock plugins. I am open for any other suggestions. Many people recommend the FabFilter Pro-L2 but it costs 169 euros and I don't understand why should I use a limiter besides sausaging the master chain which I can do with a waves plugin for 30 bucks.
  5. Ozone 9: At first I thought it's an all in one master plugin, also has a lot of features that save time but take away the learning process (automated AI fix-your-song sliders). But it seems so different to me than opening a specific plugin for a specific usage (for example a buss compressor or a maximizer, both have a single job). If I do buy it do I need anything else? Is it just a master chain effect or can I use it to saturate or edit single instruments? Also the Neutron 3 makes me wonder if I should buy it with Ozone. If I'm already switching to this all in one shiny slider work flow I might as well get the tonal balance bundle for 699$ which is half my paycheck... I can get like 10 waves plugins for half the cost, and I feel like I could learn more from using the traditional "1 plugin, 1 purpose" workflow. On the other hand it might have more value if it actually saves me valuable time.
(TL;DR)Anyways, I have been only using stock plugins for 7 years and I hate surrendering to expensive third party plugins, but all mixing engineers talk about is the analog sound... Can I emulate it with stock plugins? If not what should I buy to minimize costs and maximize control? What essential third party mixing and mastering plugins should I buy?
Thanks :)
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